daniel-cv.tex

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%% Change as needed. Or just add me as a coauthor. Only some of these are
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\def\myauthor{Daniel Klug}
\def\mytitle{Vita}
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\def\myaffiliation{University of Basel}
\def\myaddress{Department of Philosophy \& Media Studies \\ Institute for Media Studies}
\def\myemail{Daniel.Klug@unibas.ch}
\def\mywebtext{https://populaerkultur.unibas.ch}
\def\myweb{https://populaerkultur.unibas.ch/home/popularculture-en/}
\def\myfax{+41 61 267 08 90}
\def\myphone{+41 78 696 40 58}
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\def\myaffiliation{University of Basel}
\def\myauthor{Daniel Klug}
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\def\mykeywords{Daniel, Klug, Daniel Klug, Vita, CV, Resume}

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 \flushright {\footnotesize \href{http://mewi.unibas.ch}{Department of Philosophy \& Media Studies, \\ \vspace{-0.03in} Institute for Media Studies} \\ University of Basel \\ Holbeinstrasse 12 \\ \vspace{-0.03in} 4051 Basel \\ \vspace{-0.05in} Switzerland}

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  \flushright \footnotesize Phone: \myphone \\
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\medskip

%% Name
\noindent{\huge {\textsc{daniel klug}}}
\reversemarginpar

\medskip

%% Citizenship
\medskip
\marginhead{Citizenship}

\noindent Germany
\newline\noindent {\em US permanent residence in process}

\bigskip


%% Research Interests
\marginhead{{\vskip 0.3em}Research \newline Interests}
\noindent Reality television, music television and music videos, audiovisual media products, computer-based media analyses, video sharing platforms, social network sites, popular music, 
\newline qualitative media research, qualitative sociology

\bigskip

%% Education
\marginhead{Education}

\noindent{\bf \em University of Basel}, \emph{Basel, Switzerland} \vspace{0.01in} \dates{2008 -- 2012}
\newline Ph.D. in Media Studies, {\em summa cum laude}
\newline Advisor: Klaus Neumann-Braun
\bigskip

\noindent{\bf \em University of Vienna}, \emph{Vienna, Austria} \vspace{0.01in}  \dates{2002 -- 2008}
\newline\noindent Master in Sociology, minor in Theater, Film, \& Media Studies, Cultural Studies
\bigskip


%% Research Experience
\medskip
\marginhead{{\vskip 0.3em}Research \newline Experience}

\noindent {\bf Assistent}, {\bf \em University of Basel}, \emph{Basel, Switzerland} \vspace{0.01in} \dates{3/2012 -- }
\newline\noindent {\em Equivalent of Research Assistant Professor in US system.}
\newline\noindent with Klaus Neumann-Braun \vspace{0.3em} 
\newline\noindent {\bf {\em Varieties of scripted reality programs in television}} \dates{2014 -- 2016}
\newline\noindent and on the internet. Comparative analyses of production, 
\newline\noindent product and reception in (German-speaking) Switzerland. 
\newline\noindent Funded by the Swiss National Science Foundation.
\bigskip

\noindent {\bf Doctoral Student}, {\bf \em University of Basel}, \emph{Basel, Switzerland} \vspace{0.01in} \dates{7/2008 -- 3/2012}
\newline\noindent with Klaus Neumann-Braun \vspace{0.3em} 
\newline\noindent {\bf {\em Image-Text-Sound-Analyses of music videos.}} \dates{2008 -- 2011}
\newline\noindent Analysis of audiovisual relationships in music videos. 
\newline\noindent Developed an analytical tool (\href{http://travis-analysis.org/}{trAVis}) for music-centered 
\newline\noindent transcription and analysis of audiovisual clips.
\newline\noindent Funded by the Swiss National Science Foundation.
\bigskip


% Analyses of the production methods of fictional reality shows (scripted reality) using qualitative methods (expert interviews, participatory observations).
% Analyses of the specific audio visual relations between moving images and sound in music videos including development of a computer-based tool for the transcription of short video clips


%% Publications
\marginhead{Publications: Books}
\noindent {\em All German-titled articles and presentations have been translated into English.}
\medskip

%% Use revnumerate environment if numbered publications are needed.
%% (Include it above in the preamble).
%% \renewcommand{\labelenumi}{\textsc{a}\theenumi.}
%% \begin{revnumerate}

% \noindent\textbf{Books/Monographs}

\noindent\textbf{Lip synching in Music Videos. On the Construction of Audiovision}\dates{2013}\vspace{-0.03in}
\newline\noindent\textbf{Through Music-Related Representational Acts}\dates{}
\newline\noindent{\em Lip Synching in Musikclips. Zur Konstruktion von Audio-Vision}\dates{}\vspace{-0.03in}
\newline\noindent{\em durch musikbezogene Darstellungshandlungen}
\newline\noindent Daniel Klug
\newline\noindent\emph{(Reihe Short Cuts | Cross Media, Band 6). Baden-Baden: Nomos.}
% \newline\noindent\emph{and Concurrency Centric Systems}
\bigskip

\pagebreak

\noindent\textbf{Computer-Based Analysis of Audiovisual Media Artifacts}\dates{2013}
\newline\noindent{\em Computergest\"{u}tzte Analyse von audiovisuellen Medienprodukten}\dates{}
\newline\noindent Christofer Jost, Daniel Klug, Axel Schmidt, Armin Reautschnig, Klaus Neumann-Braun
\newline\noindent\emph{(Reihe Qualitative Sozialforschung, Band 22). Wiesbaden: Springer VS.}
% \newline\noindent\emph{and Concurrency Centric Systems}
\bigskip


\marginhead{Publications: Edited Books}

\noindent{\bf Popular Music, Medial Music? Transdisciplinary Contributions on}\dates{2011}\vspace{-0.03in}
\newline\noindent{\bf the Media of Popular Music}
\newline\noindent{\em Popul\"{a}re Musik, mediale Musik? Transdisziplin\"{a}re Beitr\"{a}ge zu}\dates{2011}\vspace{-0.03in}
\newline\noindent{\em den Medien der popul\"{a}ren Musik}
% \smallskip
\newline\noindent Christofer Jost, Daniel Klug, Axel Schmidt, Klaus Neumann-Braun
\newline\noindent\emph{(Reihe Short Cuts | Cross Media, Band 3). Baden-Baden: Nomos.}
\bigskip

\noindent{\bf The Meaning of Popular Music in Audiovisual Artifacts}\dates{2009}
\newline\noindent {\em Die Bedeutung populärer Musik in audiovisuellen Formaten}
% \smallskip
\newline\noindent Christofer Jost, Klaus Neumann-Braun, Daniel Klug, Axel Schmidt
\newline\noindent\emph{(Reihe Short Cuts | Cross Media, Band 1). Baden-Baden: Nomos.}
\bigskip

\marginhead{Publications: Articles in \newline Journals/Books}

\noindent{\bf Computer-based Analysis of Audiovisual Media Artifacts in}\dates{2015}\vspace{-0.03in}
\newline\noindent{\bf School Music Lessons}
\newline\noindent {\em Computergest\"{u}tzte Analyse von audiovisuellen Medienangeboten}\vspace{-0.03in}
\newline\noindent{\em im schulischen Musikunterricht}
% \smallskip
\newline\noindent Daniel Klug
\newline\noindent\emph{Musikunterricht(en) im 21. Jahrhundert. Augsburg: Wei{\ss}ner (i. Ersch.).}
\bigskip

\noindent{\bf Scripted Reality-Shows in German-speaking Television Programs.}\dates{2014}\vspace{-0.03in}
\newline\noindent{\bf Tri-National Program Analysis and the Concept of a Combined Analysis}\vspace{-0.03in}
\newline\noindent{\bf of Product and Production}
\newline\noindent {\em Scripted Reality-Formate im deutschsprachigen Fernsehprogramm.}\vspace{-0.03in}
\newline\noindent {\em Trinationale Programmanalyse und Konzeption einer kombinierten}\vspace{-0.03in}
\newline\noindent {\em Produkt- und Produktionsanalyse}
% \smallskip
\newline\noindent Daniel Klug, Axel Schmidt
\newline\noindent\emph{In: Studies in Communication Sciences, 14(2014), S. 108--120.}
\bigskip

\noindent{\bf The Body (and Its Representations) in Factual Entertainment.}\dates{2014}\vspace{-0.03in}
\newline\noindent{\bf  Producing Reality in and Beyond Television}
\newline\noindent {\em K\"{o}rper(-Darstellungen) im Reality-TV. Herstellung von Wirklichkeit}\vspace{-0.03in} 
\newline\noindent {\em im und über das Fernsehen hinaus}
% \smallskip
\newline\noindent Daniel Klug, Axel Schmidt
\newline\noindent\emph{In: sozialer sinn, 1/2014. S. 77--107.}
\bigskip


\noindent{\bf A Song For the Lovers}\dates{2011}
% \smallskip
\newline\noindent Daniel Klug
\newline\noindent\emph{In: Fischer, Michael/Grosch, Nils/Hörner, Fernand: Songlexikon.}
\newline\noindent URL: \href{http://www.songlexikon.de/songs/asongforthelovers}{http://www.songlexikon.de/songs/asongforthelovers}
\bigskip

\pagebreak

\noindent{\bf (In-)Coherences. On the Performative Practice of Lip Synching in}\dates{2011}\vspace{-0.03in}
\newline\noindent{\bf the Audio-Vision of Music Videos}
\newline\noindent{\em (Un-)Stimmigkeiten. Zur Darstellungspraxis des lip synching in}\vspace{-0.03in}
\newline\noindent{\em der Audio-Vision des Musikclips} 
% \smallskip
\newline\noindent Christofer Jost, Daniel Klug, Axel Schmidt, Klaus Neumann-Braun
\newline\noindent\emph{Popul\"{a}re Musik, mediale Musik? Transdisziplin\"{a}re Beitr\"{a}ge zu den Medien}\vspace{-0.03in}
\newline\noindent\emph{der popul\"{a}ren Musik}
\newline\noindent\emph{(Reihe Short Cuts | Cross Media, Band 3). Baden-Baden: Nomos. S. 7--29.}
\bigskip


\noindent{\bf Two Become One? The Original in the Audio-Vision of the Music Video}\dates{2011}
\newline\noindent{\em Aus zwei mach eins? Das Original(e) in der Audio-Vision des Musikclips} 
% \smallskip
\newline\noindent Daniel Klug
\newline\noindent\emph{Lied und populäre Kultur /Song and Popular Culture. Jahrbuch des}\vspace{-0.03in}
\newline\noindent\emph{Deutschen Volksliedarchivs. 56. Jahrgang: Original und Kopie/ Original and Copy.}
\newline\noindent\emph{Münster: Waxmann. S. 43--61.}
\bigskip


\noindent{\bf The Monstrous Body in Music Videos}\dates{2011}
\newline\noindent{\em Der monstr\"{o}se K\"{o}rper im Musikclip} 
% \smallskip
\newline\noindent Daniel Klug
\newline\noindent\emph{Dawn of an Evil Millennium. Horror/ Kultur im neuen Jahrtausend.}
\newline\noindent\emph{Darmstadt: Büchner. S. 312–318.}
\bigskip

\noindent{\bf All eyes on... music? Music and Audio Vision in Transition}\dates{2011}
\newline\noindent{\em All eyes on... music? Musik und Audiovision im Wandel} 
% \smallskip
\newline\noindent Daniel Klug, Klaus Neumann-Braun
\newline\noindent\emph{Imageb(u)ilder. Vergangenheit, Gegenwart und Zukunft des Videoclips}
\newline\noindent\emph{(Ausstellungsband). Münster: Telos, S. 52--71.}
\bigskip


\noindent{\bf ...dont be afraid, don't have no fear -- Horror Aesthetics in the Pop}\dates{2010}\vspace{-0.03in}
\newline\noindent{\bf Music Video ``Everybody (Backstreet's back)''}
\newline\noindent{\em '...don’t be afraid, don’t have no fear' – Horror\"{a}sthetik im Popmusikclip}\vspace{-0.03in}
\newline\noindent{\em zu 'Everybody (Backstreet’s back)'} 
% \smallskip
\newline\noindent Daniel Klug
\newline\noindent\emph{pop:aesthetiken. Beitr\"{a}ge zum Sch\"{o}nen in der popul\"{a}ren Musik}
\newline\noindent\emph{(Werkstatt Popul\"{a}re Musik, Band 2). Innsbruck: Studienverlag. S. 139–161.}
\bigskip

\noindent{\bf Integrated Analysis of Image, Text, and Sound. The Example of the}\dates{2009}\vspace{-0.03in}
\newline\noindent{\bf Music Video ``Californication''}
\newline\noindent{\em Integrierte Bild-Text-Ton-Analyse. Am Beispiel des Musikclips 'Californication'}
% \smallskip
\newline\noindent Christofer Jost, Daniel Klug
\newline\noindent\emph{Die Bedeutung popul\"{a}rer Musik in audiovisuellen Formaten }
\newline\noindent\emph{(Reihe Short Cuts | Cross Media, Band 1). Baden-Baden: Nomos, S. 197--242.}
\bigskip


\noindent{\bf The Song in the Context of Audio Vision. Introduction to a}\dates{2009}\vspace{-0.03in}
\newline\noindent{\bf Dispersed Research Area}
\newline\noindent{\em Der Song im Zeichen der Audiovision. Zur Einf\"{u}hrung in ein disparates Forschungsfeld}
% \smallskip
\newline\noindent Christofer Jost, Klaus Neumann-Braun, Daniel Klug, Axel Schmidt
\newline\noindent\emph{Die Bedeutung popul\"{a}rer Musik in audiovisuellen Formaten }
\newline\noindent\emph{(Reihe Short Cuts | Cross Media, Band 1). Baden-Baden: Nomos, S. 7--19.}
\bigskip


\pagebreak

%% Publications: Reports
\marginhead{Publications: Reports}

\noindent{\bf The Pedagogical Concept of Peer Education in the Context of}\dates{2012}\vspace{-0.03in}
\newline\noindent{\bf Media Literacy Advancement and Youth Media Protection}
\newline\noindent{\em Das p\"{a}dagogische Konzept der Peer Education im Rahmen von}\vspace{-0.03in}
\newline\noindent{\em Medienkompetenzf\"{o}rderung und Jugendmedienschutz}
% \smallskip
\newline\noindent Klaus Neumann-Braun, Vanessa Kleinschnittger, Michael Baumg\"{a}rtner,\vspace{-0.03in}
\newline\noindent Daniel Klug, Alessandro Preite, Luca Preite
\newline\noindent (Berichtnummer 15/12).
\bigskip

\noindent{\bf Risk Factors in Young People’s Use of Digital Media and Possible }\dates{2012}\vspace{-0.03in}
\newline\noindent{\bf Strategies in the Context of Prevention and Intervention}
\newline\noindent{\em Risikofaktoren bei der Nutzung digitaler Medien durch Jugendliche und m\"{o}gliche}\vspace{-0.03in}
\newline\noindent{\em Handlungsstrategien im Rahmen von Pr\"{a}vention und Intervention}
% \smallskip
\newline\noindent Klaus Neumann-Braun, Vanessa Kleinschnittger, Michael Baumg\"{a}rtner,\vspace{-0.03in}
\newline\noindent Daniel Klug, Alessandro Preite, Luca Preite
\newline\noindent (Berichtnummer 12/12).
\bigskip


%% Presentations
% \medskip
\marginhead{Presentations}

\vspace{-0.02in}
\noindent{\bf trAVis – A Tool for Mulitmodal Data Analysis} \dates{2015}
\linebreak\noindent 2nd Bremen Conference on Multimodality (BreMM15). \dates{}
\linebreak\noindent Bremen, Germany. September 21-22, 2015.
\bigskip


\noindent{\bf Popular Entertainment between Fact and Fiction: The Case of }\dates{2015} 
\linebreak\noindent{\bf German Scripted Reality Shows} \dates{}
\linebreak\noindent 4th European Popular Culture Association Conference (EUPOP15). \dates{}
\linebreak\noindent Berlin, Germany. July 29-31, 2015.
\bigskip


\noindent{\bf Productions of Scripted Reality Between Fact and Fiction} \dates{2015}
\linebreak\noindent {\em Scripted Reality-Produktionen zwischen Fakt und Fiktion}\dates{}
\linebreak\noindent The (Un-)Truth of Images. Modes of Reality in TV and Cinema Conference. \dates{}
\linebreak\noindent Kiel, Germany. March 26-28, 2015.
\bigskip

\noindent{\bf The Construction of Images Including a Capability for Truth -- Production}\dates{2015}\vspace{-0.03in}
\linebreak\noindent{\bf Techniques in Factual Entertainment} \dates{}
\linebreak\noindent {\em Die Herstellung wahrheitsfähiger Bilder – Produktionstechniken}\dates{}\vspace{-0.03in}
\linebreak\noindent {\em im factual entertainment}\dates{}
\linebreak\noindent The (Un-)Truth of Images. Modes of Reality in TV and Cinema Conference. \dates{}
\linebreak\noindent Kiel, Germany. March 26-28, 2015.
\bigskip


\noindent{\bf Displaying the Self through Moving Images. Functions and Consequences of}\dates{2014}\vspace{-0.03in}
\linebreak\noindent{\bf YouTube-Videos on Peer-Perception and Self-Identification}\dates{}
\linebreak\noindent 64th Annual Conference of the International Communications Association (ICA).\dates{}
\linebreak\noindent Seattle, WA, USA. May 21-25, 2014.
\bigskip

\noindent{\bf Entertainment Television Between Fact and Fiction: Comparative Analysis of}\dates{2014}\vspace{-0.03in}
\linebreak\noindent{\bf the Product, Production, and Perception of Scripted Reality Shows}\dates{}
\linebreak\noindent{\em Zwischen fiktionaler und faktualer Fernsehunterhaltung: Vergleichende}\dates{}\vspace{-0.03in}
\linebreak\noindent{\em Produktions-, Produkt- und Rezeptionsanalysen von Scripted Reality-Formaten}\dates{}
\linebreak\noindent Conference of the Swiss Association for Communication and Media Research.\dates{}
\linebreak\noindent Zurich, Switzerland. April 11-12, 2014.
\bigskip


\noindent{\bf What's that sound? Creating realistic audio visual experiences in music videos}\dates{2013}
\linebreak\noindent 1st International Conference of the European Sound Studies Association (ESSA). \dates{}
\linebreak\noindent Berlin, Germany. October 11-12, 2013.
\bigskip


\noindent{\bf Reality TV and the Construction of Realness in Television and Beyond}\dates{2013}
\linebreak\noindent{\em Reality TV – Herstellung von Wirklichkeit im und über das Fernsehen hinaus}\dates{}
\linebreak\noindent Annual Conference of the History of Television/Television Studies Division of\dates{}\vspace{-0.03in} 
\linebreak\noindent the Society for Media Studies.\dates{}
\linebreak\noindent Regensburg, Germany. May 3--5, 2013.
\bigskip


\noindent{\bf trAVis – A Music-centered Transcription Tool for Audiovisual Media Artifacts}\dates{2013}
\linebreak\noindent{\em trAVis - Musikzentriertes Transkriptionsprogramm f\"{u}r audiovisuelle Medienprodukte}\dates{}
\linebreak\noindent 17th Work Conference for Conversational Research.\dates{}
\linebreak\noindent Institute for German Language, Mannheim, Germany. March 22, 2013.
\bigskip


\noindent{\bf Computer-based Analysis of Music Videos}\dates{2013}
\linebreak\noindent{\em Computergest\"{u}tzte Analyse von Musikclips}\dates{}
\linebreak\noindent University of Applied Science North-Western Switzerland.\dates{}
\linebreak\noindent Aarau, Switzerland. February 12, 2013.
\bigskip


\noindent{\bf Analyzing Television Products Using the Transcription Tool trAVis:}\dates{2013}\vspace{-0.03in}
\linebreak\noindent{\bf Workflow, Variations and Comparisons}\dates{}
\linebreak\noindent{\em Analyse von Fernsehprodukten mit trAVis – Workflow, Variationen und Vergleiche}\dates{}
\linebreak\noindent Music – Computer – Analysis Conference.\dates{}
\linebreak\noindent Basel, Switzerland. February 8-9, 2013.
\bigskip


\noindent{\bf trAVis - Transcribing Music-Based Audiovisual Media Through}\vspace{-0.03in}
\dates{2012}
\linebreak\noindent{\bf Computer-based Analysis}\dates{}
\linebreak\noindent 7th Conference of the European Research Network ``Sociology of the Arts''.\dates{}
\linebreak\noindent Vienna, Austria. September 5-8, 2012.
\bigskip


\noindent{\bf Lip Synching As Performance Strategy in Music Videos}
\dates{2011}
\linebreak\noindent{\em Lip Synching als Darstellungsstrategie im Musikclip. Zur Konstruktion von Audiovision}
\linebreak\noindent Basel PhD-Colloquium ``Methods and Research''.\dates{}
\linebreak\noindent Basel, Switzerland. April 12, 2011.
\bigskip


\noindent{\bf Computer-based Integrated Analysis of Images, Text, and Sound in}\vspace{-0.03in}
\dates{2011}
\linebreak\noindent{\bf Audiovisual Media Artifacts}\dates{}
\linebreak\noindent{\em Computergest\"{u}tzte integrierte Bild-Text-Ton-Analyse audiovisueller Materialien}\dates{}
\linebreak\noindent Conference of the Swiss Association for Communication and Media Research.\dates{}
\linebreak\noindent Basel, Switzerland. April 8-9, 2011.
\bigskip

\noindent{\bf Visualization of Popular Music in Music Videos}
\dates{2010}
\linebreak\noindent{\em Visualisierung popul\"{a}rer Musik im Musikclip}\dates{}
\linebreak\noindent Annual Conference of the Workgroup for the Study of Popular Music.\dates{}
\linebreak\noindent Mannheim, Germany. November 19-21, 2010.
\bigskip

\pagebreak

\noindent{\bf Intermedia Structures in Music Videos. Towards an Integrated Analysis}\dates{2009}\vspace{-0.03in}
\linebreak\noindent{\bf of Images, Text, and Sound, Illustrated With the Music Video ``Californication''}\dates{}
\linebreak\noindent{\em Intermediale Strukturen im Musikclip. Auf dem Weg zu einer integrierten}\dates{}\vspace{-0.03in}
\linebreak\noindent{\em Bild-Text-Ton-Analyse, veranschaulicht am Musikclips 'Californication'}\dates{}
\linebreak\noindent  Workshop on the Meaning of Popular Music in Audiovisual Artifacts.\dates{}
\linebreak\noindent Basel, Switzerland. February 5-6, 2009.
\bigskip


\noindent{\bf Forms and Functions in the Presentation of Horror in Music Videos}\dates{2007}
\linebreak\noindent{\em Formen und Funktionen der Inszenierung von Horror in Musikvideoclips}\dates{} 
\linebreak\noindent Workshop and Workshow Visual Sociology.\dates{}
\linebreak\noindent Vienna, Austria. November 23-24, 2007.
\bigskip


\noindent{\bf The Brief Horror in Music Videos}\dates{2007}
\linebreak\noindent{\em Das kurze Grauen. Horror in Musikvideoclips}\dates{} 
\linebreak\noindent Conference of ``Project Intermediality''.\dates{}
\linebreak\noindent Vienna, Austria. March 30-31, 2007.
\bigskip


%% Teaching Experience
\medskip
\marginhead{Teaching \newline Experience}

\noindent {\bf Supervision of Master \& Bachelor Theses}\dates{2009 --} 
\newline\noindent Bachelor \& Master-level, University of Basel. Basel, Switzerland.
\bigskip

% \begin{minipage}{\linewidth}
\noindent {\bf Computer-based Analysis of Audio Visual Media Artifacts Using the}\dates{2013 --}\vspace{-0.03in} 
\newline\noindent{\bf Web Application trAVis}\dates{}
\newline\noindent {\em Computergest\"{u}tzte Analyse audiovisueller Medienprodukte mit der}\vspace{-0.03in} 
\newline\noindent {\em Web- Applikation trAVis}
\newline\noindent Master-level course, University of Basel. Basel, Switzerland.
\bigskip

\noindent {\bf Ways of Staging Media Realities}\dates{Fall 2013} 
\newline\noindent {\em Arten und Weisen der Inszenierung medialer Wirklichkeiten} 
\newline\noindent Master-level course, University of Mannheim. Mannheim, Germany.
\bigskip

\noindent {\bf Qualitative Methods of Television Studies}\dates{2012 --} 
\newline\noindent {\em Qualitative Methoden der Fernsehforschung} 
\newline\noindent Bachelor-level course, University of Basel. Basel, Switzerland.
\bigskip

\noindent {\bf Analysis of Short Audiovisual Clips On YouTube}\dates{Spring 2012} 
\newline\noindent {\em Analyse audiovisueller Kurzformate am Beispiel von YouTube} 
\newline\noindent Bachelor-level course, University of Basel. Basel, Switzerland.
\bigskip

\noindent {\bf Analysis of (Audio)Visual Communication: Reality-TV II}\dates{Fall 2011} 
\newline\noindent {\em Analyse (audio-)visueller Kommunikation: Reality-TV} 
\newline\noindent Bachelor-level course, University of Basel. Basel, Switzerland.
\bigskip


\noindent {\bf Analysis of (Audio)Visual Communication: Reality-TV}\dates{Spring 2011} 
\newline\noindent {\em Analyse (audio-)visueller Kommunikation: Reality-TV} 
\newline\noindent Bachelor-level course, University of Basel. Basel, Switzerland.
\bigskip


\noindent {\bf Research Course: Reality-TV}\dates{Spring 2010} 
\newline\noindent {\em Forschungswerkstatt Reality-TV} 
\newline\noindent Bachelor-level course, University of Basel. Basel, Switzerland.
\bigskip


\noindent {\bf Product Analyses and Videoclips}\dates{Fall 2009} 
\newline\noindent {\em Produktanalysen und Videoclips} 
\newline\noindent Bachelor-level course, University of Basel. Basel, Switzerland.
\bigskip


%% Conference Organization
\bigskip
\marginhead{Conference \newline Organization}

\noindent {\bf PhD-Conference ``Working With Everyday Life--How Reality TV Creates Facts!'', }\dates{11/2012} 
\newline\noindent Institute for Media Studies, University of Basel. Basel, Switzerland.
\bigskip

\noindent {\bf Popular Music, Medial Music?}\dates{6/2010} 
\newline\noindent Institute for Media Studies, University of Basel. Basel, Switzerland.
\bigskip

\noindent {\bf The Meaning of Popular Music in Audio Visual Artifacts}\dates{2/2009} 
\newline\noindent Institute for Media Studies, University of Basel. Basel, Switzerland.
\bigskip


%% Professional Memberships
\bigskip
\marginhead{Professional \newline Memberships}
\begin{easylist}[itemize]
& European Sociological Association (ESA)

& Gesellschaft f\"{u}r Popularmusikforschung e.V. (GfPM)
\newline {\em Society for the Studying of Popular Music}

& International Communication Association (ICA)

& Schweizer Gesellschaft f\"{u}r Kommunikations- und Medienwissenschaft (SGKM)
\newline {\em Swiss Association of Communication and Media Research}
\end{easylist}
\bigskip

%% References
\bigskip
\marginhead{References}

\noindent {\bf Klaus Neumann-Braun}
\newline\noindent {Department of Philosophy and Media Studies}
\newline\noindent {\em University of Basel, Switzerland}
\newline\noindent \Telefon~+41 61 267 08 71
\newline\noindent \Letter~\href{mailto:K.Neumann-Braun@unibas.ch}{K.Neumann-Braun@unibas.ch}
\medskip

\noindent {\bf Axel Schmidt}
\newline\noindent {\em Institute for the German Language (IDS), Germany}
\newline\noindent \Telefon~+49 621 1581 317
\newline\noindent \Letter~\href{mailto:Axel.Schmidt@ids-mannheim.de}{Axel.Schmidt@ids-mannheim.de}
\medskip

\noindent {\bf Christofer Jost}
\newline\noindent {Centre for Popular Culture and Music (ZPKM)}
\newline\noindent {\em University of Freiburg, Germany}
\newline\noindent \Telefon~+49 761 70 503 18
\newline\noindent \Letter~\href{mailto:christofer.jost@zpkm.uni-freiburg.de}{christofer.jost@zpkm.uni-freiburg.de}
\medskip

\end{document}